C.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Four guys, one bride. A weekend on a raft.

在与老朋友大卫（欧玛·艾普斯饰）短暂相遇后，艾莉（尼娅·朗饰）试图挽救她与丈夫马库斯（斯蒂芬·毕晓普饰）的婚姻，却发现大卫比她想象中更加危险和不稳定。

斯坦尼（约翰·库萨克 饰）在一间超级市场工作，带着两名女儿海蒂与朵儿一起生活，妻子格雷斯是名士兵，此刻正征战沙场。　　斯坦尼的生活平淡，对女儿们十分关怀却要求严格。妻子不幸牺牲的消息传到了斯坦尼的耳中，他不敢把消息告诉日夜思念母亲的孩子们。　　于是他决定要满足孩子们最单纯的愿望，带她们到主题公园去玩。海蒂跟朵儿从叔叔的口中得知，父亲因为视力的问题无法成为士兵，他是有一股爱国热情的。海蒂感觉父亲跟平常不一样，可是不敢多言。一路上斯坦尼与海蒂有了很多的交流，更了解彼此了。　　他们终于到达了公园，可是海蒂却似乎感觉到某些事情发生了……

在一次梦境重现之后，塞维琳决定离开她的男朋友汤姆几天。汤姆与一个在酒吧里遇到的男人达成协议：塞维琳将会被绑架，而汤姆则将把她从绑匪的魔爪中解救出来，从而成为她的救星。然而汤姆不知道，他的这位新朋友对塞维琳有另一个不同的计划。面对暴力的罪行和她自己原始的恐惧，塞维琳被卷入了一个永无尽头的残暴游戏，踏上了寻找真爱之路。（豆瓣电影字幕翻译2.0小组）

Successful businessman Jake takes his pregnant girlfriend Lindsey on a babymoon trip to an upscale desert resort. When they get there, Lindsey discovers that Jake's meddlesome soon to be ex-wife, Gwen is there too. In a dream vacation gone wrong, it becomes apparent that someone is determined that Lindsey will never use her return ticket.

A group of guys living in a Brooklyn brownstone find their way through the harsh realities of life as they enter into their 30's.

故事发生在位于旧金山的普西迪基地，这是一座拥有着212年漫长历史的军事基地。一名女警的尸体在这里被人发现，旧金山警探杰伊（马克·哈蒙 Mark Harmon 饰）负责调查此案，让杰伊非常不爽的是，他的搭档是名叫阿兰（肖恩·康纳利 Sean Connery 饰）的男人，阿兰曾经是杰伊服役期间的长官，两人的性格针锋相对，一直互相不对付。更糟的是，杰伊爱上了阿兰的女儿唐娜（梅格·瑞恩 Meg Ryan 饰），这令两人之间的关系雪上加霜。　　随着调查的深入，杰伊发现案情并不是他想象的那么简单，想要逮捕幕后的凶手，他和阿兰必须尽释前嫌携手合作，而他们所要面对的凶手也异常的强大和危险。

聖誕節的前一個月，一位年輕的助理牧師被派往新教堂。她將展開新的挑戰，除了整頓唱詩班混亂的秩序，還得在傳統與創新間維持平衡。在悠揚美好的聖誕樂音中，她是否能為自己找到新的歸屬呢？一起與聖誕浪漫故事不期而遇吧！

詹姆斯·卡梅隆拍摄于2001年的纪录片，运用了当时最先进的水下设备，重返沉没于大西洋底的泰坦尼克。与一般纪录片不同的是，卡梅隆运用简单的3D技术，重现了船沉时不同人物的反应，增加了一份悲剧色彩。随同卡梅隆一起下水的除了专业人员之外，还有合作过多次的比尔·帕克斯顿，他还担任了本片的解说。