主演的影片
在墓地中,芭芭拉(Patricia Tallman 饰)和哥哥强尼(比尔·莫斯利 Bill Moseley 饰)受到了丧尸的袭击,没过多久,受伤的强尼受到感染加入了丧尸的队伍。求生的欲望引领着芭芭拉来到了一处民宅,在那里,她遇见了同样在躲避丧尸的本(托尼·托德 Tony Todd 饰)。躲在屋子里的并非只有本和芭芭拉两人,在地下室里,汤姆(Bill Butler 饰)与女友朱迪(凯蒂·芬内朗 Katie Finneran 饰),哈里(Tom Towles 饰)和海伦(McKee Anderson 饰)夫妇逐个现身。 除了数量上的差异,体能和抗击打能力方面的巨大差距让屋内众人的存活几率降到了最低。屋外是狂暴嗜血的丧尸,屋内是手持刀枪的人类,一场血腥的战争即将拉开序幕。
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Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, Five adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
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Marple is extremely proud when she is appointed to the board of trustees of a merchant marine training vessel whose mission is to rehabilitate young criminals. As in all of her endeavors, Miss Marple intends to take an active role in the job and even shows up to the board meeting dressed in naval blues. When a fellow trustee is poisoned just prior to his making some kind of revelation, Miss Marple decides to use her position to spend time on the ship. This upsets the vessel's fragile social network as she dispossesses blustering Captain Rhumstone from his quarters. When two ship's officers are later found murdered also, Miss Marple enlists help from her friend Jim Stringer and Inspector Craddock to expose the murderer.
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本片是由哥伦比亚电影公司出资委任电视纪录片导演皮特•戴维斯(Peter Davis)拍摄的一部探讨美国为何在1959-1975年期间发动对越战争,越南人民的悲惨遭遇,以及美国人民对越战态度转变的纪录片。这是美国本土首次放映直接采访刻画越南平民惨境的影片,片中多次表现了美军将领的种族主义和美国政府对国内人民的无耻欺骗。电影于1974年在法国嘎纳电影节首映,随即便因内容的严重争议性被哥伦比亚公司搁置。制片人波特•施耐德(Bert Schneider)与亨利•兰格(Henry Lange)向哥伦比亚公司买回了版权,并终于1975年通过华纳公司在美国公映。 本片获1974年奥斯卡最佳纪录片奖,并被提名同年金球奖最佳纪录片。
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