Anna

设定在新冠疫情封城期间，讲述一对日常争吵不断的夫妻琳达和帕克斯顿休战，计划去完成一场高风险的抢劫——在世界上最高档的百货公司之一哈罗德搜刮珠宝。

本該溫馨的跨年夜，卡洛斯卻發現被老婆戴綠帽，兩人吵得不可開交之際，爸爸和弟弟正好登門「共度佳節」。各懷心事的四人共享食之無味的晚餐，突然闖進一名大鬍子流浪漢，不僅自稱是上帝，還預告人類即將滅亡，但他們當中有兩人能夠存活，而且由他們互相投票決定！是神蹟還是唬爛，信還不信？絕望的丈夫、自卑的妻子、憂鬱失婚男、臨老入花叢的歐吉桑， 誰該活下去？爾虞我詐、你猜我忌，原已不平靜的夜晚，這下更陷入無止盡的瘋狂混亂！　　《該死的上帝》是阿爾貝托品托、卡耶卡薩斯的首部劇情長片，全片圍繞在一間房子、五個主角身上，卻毫無冷場。因為劇本太出色、角色夠張狂，在唇槍舌劍之間，狠狠顛覆宗教信仰、家庭價值，不只人性大爆發，還有血漿大噴發，幽默又恐怖，懸疑又癲狂，難以預料的劇情走向，高潮迭起、荒謬到底！

佛羅倫絲和雲遜是一對模範夫妻。　　他們有成功的事業，美滿的婚姻和可愛孩子。現在，他們想成功地離婚。　　然而，當他們同時得到他們一輩子夢寐以求工作時，這對夫婦的生活頓時變成了惡夢。由這一刻起，他們再不會退讓一分。這對從前的模範配偶向對方宣戰，千方百計要避免取得孩子的撫養權。

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

30岁的安德烈是一个时装设计师，只要有人需要她的帮助她都不能拒绝，.无论是不停要求她的父母还是常常让她工作到深夜的老bbb。她总是试图帮助其他人解决他们的问题，安德烈发现她留给自己的时间很少。直到有一天，她被诊断出乳腺癌……

Karen and Jack在精神病院相识并相坠入爱河，随后女孩追随男孩，去完成他毕生的任务——刺杀猫王

伊凡带新婚妻子旺达到罗马度蜜月，这是历史上最缺乏浪漫色彩的蜜月之行，严格死板的安排便是与亲人朋友见面，会见主教等。但年轻貌美的旺达痴迷于一个源于浮华表面的卡通英雄，于是临阵逃婚，开始寻找她那神往的白酋长……

威诺古尔表示该片就是聚焦宇航员在去往太空执行任务之前的准备工作，“活动正式进行之前的准备工作对于宇航员来说是最难熬的一部分，因为你一旦到了太空中就万事俱备，而在此之前你要与亲属们道别，还要为身体做充足准备来适应环境，是关于你如何将恐惧与疼痛安置于生命之上的概念。我们意图是将其造成一个超级女英雄兼普通母亲的角色，母亲这一角色在其他影片里通常都很弱，是时候证明女性不仅可以是一位母亲，还可以成为一位伟大的宇航员。”该故事基于威诺古尔本人同自己女儿的分离经历，伊娃·格林将会接受法国宇航员托马斯·佩斯凯的培训。

The exact details of what took place while Talib Ben Hassi, 19, was in police custody remain unclear. Police officers Jens and Mike are on routine patrol in Svalegården’s ghetto when news of Talib’s death comes in over the radio, igniting uncontrollable pent-up rage in the ghetto’s youth who lust for revenge. Suddenly, the two officers find themselves in a fair game and must fight tooth and claw to find a way out.

迈克尔（斯蒂芬·罗伯特森 Steven Robertson 饰）在很小的时候就因为患上了小儿麻痹症而全身瘫痪，生活不能自己的他居住在专门收容残障人士的康复中心里，虽然生活起居都有人照顾，但没有人能够理解迈克尔抽象的语言，迈克尔一直生活在孤独之中。　　一天，一位名叫罗伊（詹姆斯·麦卡沃伊 James McAvoy 饰）的病友走进了迈克尔的生活，罗伊同样也是全身瘫痪，仅有右手可以活动。然而，和其他的病人不同，罗伊思维敏捷，开朗乐观，更神奇的是，他似乎可以理解迈克尔想要表达的语言。罗伊的出现给迈克尔灰暗的生活带来了一丝色彩，让他重新对人生产生了希望。