Maria

拉奎尔疯狂且不可救药地爱上了迷人而神秘的邻居阿瑞斯。虽然她一直默默地关注着阿瑞斯，但令她沮丧的是，他们却从来没有说过一句话。但是拉奎尔的目标很明确：让阿瑞斯爱上自己。然而，她不是一个傻白甜女孩，她并没想过为此倾尽所有，更不会迷失自我······

Leopold Kroner, formerly of Colby Enterprises, is released after five years in prison for embezzlement. Andrew Colby, claiming that Kroner has threatened him, hires lawyer Bob Regan as a secret bodyguard. Sure enough, Kroner turns up in Colby's room with a gun, and Regan kills him. Then Regan, who sticks around to romance Colby's secretary Noel, begins to suspect he's been used.

彼得·格林纳威1987年作品，英国学院奖最佳编剧、最佳美术指导提名；戛纳参赛片。导演是画家出身，其作品的影像风格自然都是别具一格的色彩斑斓。　　美国建筑师Stourley Kracklite和他已经怀孕的年轻妻子Louisa来到罗马组织一个纪念18世纪富于幻想力的法国建筑 师Etienne-Louis Boullée的展览。然而Kracklite却被腹疾所折磨，Louisa则与身为展览赞助者的潇洒的年轻建筑师Caspasian Speckler眉来眼去。电影有个特别的焦点，肚皮——建筑师生病的肚皮和妻子怀孕的肚皮，圆滚滚的形状直让人想起Boullée设计的那些圆顶建筑……

故事发生在风景宜人的布宜诺斯艾利斯，玛利亚（玛丽亚•卡纳莱 María Canale 饰）、索菲亚（玛婷娜•戎卡黛拉Martina Juncadella 饰）和维奥莱塔（爱林•萨拉斯 Ailín Salas 饰）是情同手足的三姐妹，自幼失去父母的她们和外婆住在一起，过着相依为命的生活，祖孙之间的感情十分的亲密。可是今年夏天，一切将会变得不同，外婆去世了，留下无尽的思念和悲痛需要三姐妹细细咀嚼。　　为了走出丧亲的阴影，三个姑娘都下了一番功夫。玛利亚选择将精力转移到学习之中，索菲亚则开始潜心研究如何变美以及怎样增加她微不足道的存款。只有性格最内向的维奥莱塔不知道在忙些什么，当秋天到来时，她做了一件让所有人都没有想到的事情。

影片改编自[谜一样的双眼]原著作者爱德华多·萨切里撰写的小说《植物之夜》，讲述一群小镇邻居在前足球运动员费尔明(里卡多饰)的领导下，向阴暗的律师和腐败的银行高管追讨他们被骗走的钱财。

传说唐人街是黑社会的天下，各堂口之仇杀事件更不断发生。雷振是唐人街堂口头目，为人正直常不值其他堂口的种种暴行，而与各堂口结下不少仇口。曹安达是雷以前大学同学，又是别堂口头目，本是好友但因环境有别，便渐成水火。一日曹弟因醉酒在雷堂口之街道斗事，被雷手下枪杀，曹知其弟死讯后，即断定为雷所为，而其他堂口亦加入对付雷，一场血腥大屠杀随即展开……

本片讲述了在离开家乡多年后，25岁的丹尼因父亲的意外去世而回到了自己童年的家。开始他受不了这个穷乡僻壤的寂寞和无聊，但慢慢地，他才发现这个养育他长大的地方是一片乐土，他也重新赢得了童年时期青梅竹马的苏苏的心。但为了找到他生活的意义，丹尼还是不得不面对多年前让他离开家乡的真正原因。 回乡的自我救赎是本片亮点，在温情的描绘中道出了男主深埋于心底的秘密。影片节奏轻快紧凑，幽默又温情，特别适合年轻观众以及全家观看。 卖点：集聚德国新生代小鲜肉和美少女的青春片。

十七岁的玛利亚（瓦莲京娜·季托娃 Valentina Titova 饰）是衔着金汤匙出生的千金小姐，从小过着养尊处优的富足生活。这样的她，偏偏爱上了一穷二白的青年弗拉基米尔（奥列格·维多夫 Oleg Vidov 饰），这段门不当户不对的恋情自然收到了玛利亚家人的强烈反对，可这对恋人的真爱战胜了一切，他们决定私奔。　　哪知道在私奔当夜，当地下起了暴风雪，到处都是白茫茫的一片，在恶劣的天气中，弗拉基米尔迷路了。当他最终到达了和玛利亚约定的汇合地点时，已经是第二天早上了，那里早已经不见了心上人的踪影。伤心的弗拉基米尔加入了部队，并且最终在战场上结束了短暂的一生。

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

在以色列港口城市海法的一家俱乐部里，五名迥异身份的女性相遇。她们中有以色列人，也有巴勒斯坦人，但她们的交往却抛开了身份标签。《莱拉在海法》通过戏剧性的幽默讽刺，为观众展现了以色列人和巴勒斯坦人交流碰撞的当代日常。本片入围第77届威尼斯电影节主竞赛单元。