Tim

An LGBT-themed horror film set in a rural town in the Philippines. A remote village is gripped with fear. Its residents are missing one by one. Now a young nurse is in town to care for an ailing Don Filipo. Will he be the next victim

大卫的摇滚明星哥哥死于服药过量，这件事给了大卫非常大的打击，使他从此变得意志消ccc。大卫的父母无奈之下，将其送去了青少年行为管制所，希望他能有所转变。然而那里就像是一个人间地狱，虐待成性的长官与随从让大卫非常不适应。直到有一天，大卫遇见了乔纳森——几年前死于管制所的同屋人，事情终于开始有所转变……

看似是个完美的家庭，不需要工作的妻子有一个努力工作、风趣热情又顾家的丈夫，而丈夫的真正职业——贩毒却让她很不安。丈夫答应妻子不要把工作带到家庭里来，而情况却变得越来越糟，孩子们开始知道父亲真正的工作。妻子决定带着孩子们离开自己的丈夫，而想要离开却没那么容易。她最终开枪打死了丈夫，开始了新的独立自主的生活，用自己的双手去赚干净的钱。

A journalist goes in search of the truth after a series of brutal deaths and disappearances lead back to an urban legend about a serial killing clown that has stalked the woods of Century Park for over a hundred years.

When his girlfriend goes missing, David must track down her whereabouts after he realizes she's not who she was pretending to be.

An imprisoned criminal rats out his former boss for one last chance to reunite his family and become the father he never was.

影片改编自著名小说《三个小神探》，讲述了三位小侦探调查员去到特兰西瓦尼亚，追寻德古拉伯爵的足迹的故事。他们三个住在洛杉矶和圣巴巴拉之间沿海小镇洛基海滩。这个夏天，他们可以和彼得的父亲一起在德古拉新电影的拍摄现场实习。然而这三位小侦探一到这里，就听到了奇怪的敲门声、反复出现的阴森恐怖的旋律、以及脾气暴躁的看门人和他那条令人毛骨悚然的狗。难道是皮亚特拉城堡是闹鬼了？还是这些奇怪现象的背后有科学的解释？面对这些谜团，彼得、鲍勃和贾斯特斯找到了他们的新案子。三位侦探带我们踏上了他们的调查之旅，进入一个充满古老传说、迷信和隐藏宝藏的世界。这些谜团涉及一个失踪已久的男孩、一个神秘的兄弟会和一个神秘的亡灵……

火遍全球的欢乐、冒险、轻口味吸血鬼系列电影在众人的翘首以盼中迎来了第三部。　　备受宠爱的吸血鬼姐妹花回来啦！这次她们将迎来家庭新成员：弟弟弗朗兹，又一个有望萌翻全世界的半人吸血鬼宝宝。可从他的出生起，危险和威胁就时刻紧逼。邪恶的吸血鬼女王一心想抢夺她们的心爱的弟弟作为佣仆。席尔瓦尼亚在学校发生了小插曲，失控的魔法眼睛点燃了男同学的衣服和老师的屁股，老师非常生气，而为了安全他们在学校不能公布自己是半人半吸血鬼的事情。全家都开始防止女王抢夺佛朗兹变得紧张起来，西维利亚意外地催眠了父母，就在双亲暂时性地失去警觉和行动力的时间里，姐妹找来朋友帮忙同样是状况百出。夜幕降临，可恶的女王出现了，她轻松的就把弗朗兹绑架走了。自责和悔过之余，姐妹俩的愤怒和正义感被激发了，她们将亲自拯救自己的弟弟，与恶鬼吸血鬼女王斗智斗勇。大卡一路追踪吸血鬼女王到她的城堡，席尔瓦尼亚和热心的人类邻居德克也赶来帮忙，面对强大的对手和隐藏自身身份的窘境，被迷惑的大卡和吸血鬼女王相处的还不错，并且和席尔瓦尼亚说城堡里很好，将来弟弟还能当上国王，她似乎忘记了弟弟是被绑架去的，家中的父母也不希望发生这样的事情；同时被施了魔法的父母一直处于迷糊状态，还好一直有女儿的朋友在照看，没有创出什么大祸。幸运的是父母遇见了一个会解魔法的人，让席尔瓦尼亚的催眠魔法消失了；暂时恢复神志父母开始了激烈的争吵，完全不听他人的劝说，还不知道小儿子佛朗兹已经被绑走了。争吵使得父母又中了催眠魔法，并且在广场飞起来，引得很多人围观拍照，看样子解救佛朗兹的事情是不能指望父母了。西维利亚和大卡节目究竟该如何解救弗朗兹呢？

影片讲述了前CIA成员因为手握重要情报，遭到了各方势力的追杀的故事。

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.