主演的影片
Betty Lou Henson
Charlie Holliday
John Hammil
Joseph Cousins
Molly Cleator
Roma
Tiff
Tom Kurlander
佩内洛普·安·米勒
克里斯蒂安·考辛斯
凯瑟琳·瑞特曼
凯西·莫拉蒂
卡罗尔·贝克
卢之梅
安吉拉·贝塞特
帕克·欧文奥
帕梅拉·里德
斯蒂夫·朴
杰森·斯图尔特
汤姆·杜根
海蒂斯韦德贝里
理查德·波特诺
理查德·泰森
琳达·亨特
简妮·布鲁克
迈克尔·查普曼
里克·琼斯
阿利克斯·科罗马扎伊
阿诺·施瓦辛格
毒贩克里斯的妻子带走了三百万美元和他们的儿子逃跑,克里斯在打探妻子下落的过程中枪杀了一名知情者,这起凶杀案令追查了克里斯多年的警探金宝(阿诺·施瓦辛格 Arnold Schwarzenegger 饰)终有机会将其收押,然而如令克里斯认罪伏法,金宝还必须找到他的妻子作为重要证人。警方掌握的线索及其有限,金宝和女同事只得来到某小镇,卧底装扮成老师来寻找就读于幼儿园的克里斯之子。因女同事急病,金宝只得独挑重任,和一群十分不安分的小鬼头打交道,同校的女教师乔伊丝(佩内洛普·安·米勒 Penelope Ann Miller 饰)和金宝之间擦出了火花。金宝的教师生涯渐渐顺风顺水,而这时,克里斯妻子与儿子的身份浮出水面,令金宝颇感意外……
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George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures. The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s. But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way. The high cheese factor is aided by the good-time cast Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl. One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star. Elmer Bernstein's swaggering score helps goose the action along.
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This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
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Anita Cooper
Charles Matthews
Duke Howard
George L. Smith
Ginny Baker
Jane MacArthur
Ken Chapin
Mike Dana
Nancy Baker
Warren Lyons
克里夫顿·詹姆斯
卡罗尔·贝克
塔妮娅·洛佩尔
多莉丝·罗伯茨
威廉·赫基
弗吉尼亚·贝克
戴安·拉德
拉尔夫·米克
查尔斯瓦茨
洛根·拉姆齐
珍·斯泰普尔顿
米尔德丽德·丹诺克
罗伯特·达赫达赫
罗杰·德科文
里德·克鲁克香克斯
马丁·科斯莱克
少女玛丽安在放学回家路上遭遇凌辱,离家出走。找到一份微薄工作。玛丽安孤僻性格受到同室之人冷漠应待,伤心之余想要跳河自杀,被路过的麦克所救。玛丽安暂避麦克居所,但麦克不给玛丽安自由,一而再再而三地向她求婚。玛丽安最终答应了麦克。玛丽安的母亲找来,母女团圆。 该片根据亚历克斯·卡默的小说《玛丽安》改编。
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This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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本片讲述远在1887年美国与印第安人签订和约,答应援助正受到各种如天灾、疾病、粮食短缺等问题的印第安人,驻扎在奥克拉荷马保留区。但美国政府忽略了这项协约,于是夏安族的酋长决定,返回原来的拥有比较丰盛农产的居住地。这样一来,就破坏了协议,引起了军队和夏安族的冲突,使美国内部陷入动荡与不安中。美国人与印第安人的摩擦日益增多,这时幸好有一位军官请内政部长随行化解冲突,把印第安人原居住地也划为保留区,美国与印第安人之间终于和平起来。此片是由名导演约翰.福特所拍摄的史诗型影片,在导演细腻的描写下,人性的尊严充分表达出来,并以写实手法充分诠释了当时的历史背景。
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Living in Tiger Tail County, Mississippi, middle aged Archie Lee Meighan and nineteen year old Baby Doll Meighan née McCargo have been married for close to two years. Their marriage is not based on love, but each getting what they want from the other. Their marriage agreement has them consummating their marriage on her twentieth birthday, which is in three days, the act to which Baby Doll is not really looking forward. But she does taunt him and other men with her overt baby doll sexuality, the baby doll aspect which she fosters by sleeping in their house's nursery in a crib. Baby Doll's now deceased father allowed the marriage on the stipulation that Archie Lee provide Baby Doll financial security as displayed by the most resplendent house in the south. They currently live in a dilapidated mansion with her Aunt Rose Comfort, and although Archie Lee is making some renovations on it, he no longer has the financial means to make it what Baby Doll wants as his cotton ginning ... Written by Huggo
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