主演的影片
Adela
Borek
Dlouhý
Drozdy
Durdiaková
Erik
Furková
Gáborová
Hodos
Hrubesová
Ivan
Jamrich
Jr.
Judita
Króner
Kuzelová
Markéta
Melkovic
Milada
Mildner
Misovic
Nora
Ondrasíková
Stanislav
Stefan
Zita
奥德·帕夫尔卡
威廉·波
斯特凡·克维季克
波莱克·波利夫卡
米罗斯拉夫·马哈切克
迪娜·霍瓦索瓦
马戏团演员帕比与士兵倍明朗哥自战场回归后发现他们的家己面目全非,二人于是结伴而行;他们在帕比所偷的脚踏车上发现珠宝,与犹太麦面包师的女儿艾丝特快乐地生活在一起,艾丝特产下一女后,却因帕比所偷的珠宝而被窃贼所杀,帕与倍也因私藏珠宝而下狱……
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Andrej Mojzis
Ivan Macho
Jan Pelech
Jela Buckova
Jozef Cierny
Ján Mildner
Milan Mach
Pavel Chrobak
卢多维特·赖特尔
古斯塔夫·瓦拉赫
威廉·波洛尼
拉多万·卢卡夫斯基
斯特凡·克维季克
米库拉斯·洛迪津斯凯
艾米丽娅·瓦萨约娃
与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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