雷·米兰德

克里斯与西塞莉是一对年轻的爱人，一个是国际记者，一个是剧场演员，他们挣扎于要兼顾爱情还是要冲刺事业中，爱得很深，又非常骄傲，两个常年分居，独自生活……（by波迪与鹅）　　In New York, the rookie newsman Christopher Chris Tyler dreams on becoming a famous journalist. When his girlfriend Cicely spends a couple of days with him, they decide to get married and Cicely leaves college. Chris's best friend Tommy Abbott is his best man and becomes a family's friend. Chris has his great chance when his editor Frank Carteret sends him to Rome assigned as a foreign correspondent. Cicely stays in New York with Tommy and does not tell to Chris that she is pregnant. When she delivers the baby Kit, Chris celebrates and loses a big scoop and his boss fires him. Chris falls in disgrace and the couple has economic difficulties; however Tommy lends money to Cicely and offers an opportunity on the stage as an actress. Cicely is hired and becomes successful and Chris is depressed with the situation. Cicely seeks out Frank Carteret and explains the situation, and he offers a job opportunity to Chris in Russia. He accepts the job but Cicely stays in New York with their son....

退伍老兵组成的矿工团队在墨西哥北部过着艰难的生活，而矿主总是给他们增加越来越多的劳动量，工资从来没有提升，矿工们打算群起攻之，找来传说中的神枪手德斯蒙德陆军上校，想借着上校的威风向矿主表达各自心声，然而他们找错了人，约翰卡特被误认为上校而得到众人追捧，在追星搬的吹捧下约翰来到矿主门前，然而他该退缩还是前进，难以抉ddd。

雷·米兰饰演的主人公因父亲僵硬症假死被活埋的心理阴影始终挥之不去，自造了一座号称充分防错的活人墓地。这场戏就是向妻子、医生介绍自己的完美计划。而更有趣的是，此计划陈述的形式氛围以及雷米兰陈述过程中所展示玩世自负神情都如同他自己在《电话谋杀案》中向杀手陈述谋杀计划的翻版。唯一的差别：那片是在完美谋杀，而这片却在完美防被杀，被活埋！

汤尼（雷·米兰德 Ray Milland饰）和玛戈（格蕾丝·凯利 Grace Kelly 饰）是貌合神离的一对夫妻。汤尼常常为了他的事业和爱好，把娇妻忘在一边，二人感情亮出红灯。而生活寂寥的玛戈和作家马克不可避免的擦出爱之火花，他们约会、通信，不料竟被汤尼发现。汤尼没有 声张，只是写了一封匿名信给妻子以示警告。然而现在马克竟然造访家中，为了一雪耻辱，加之图谋得到妻子玛戈的丰厚财产，汤尼暗生毒计。 汤尼向旧时同学列斯开出了一千英镑的价钱，让其参与他布下的一整套严密杀人计划。这套计划有设计精妙的凶手不在场证据，电话、钥匙，窗帘，统统成为这个阴谋的道具设置。然而计划终究赶不上变化，列斯不但得不到赏金，还要赔上自己的性命。而汤尼却也急中生了智……

Righteous district attorney Joseph Foster's main goal in life is to rid his city of the gangsters infesting it. In order to be even more efficient in his war against crime he plans to run for governor. One day he meets a strange, shadowy man, Nick Beal, who offers to help him to achieve his end. Beal convinces hesitating Foster by dint of easy money, easy sex with an alluring young woman and the promise of easy success. Joseph Foster soon becomes an influential politician but a corrupt one. A minister of God manages to show him that he has been the plaything of the so-called Nick Beal, who might be Old Nick , that is to say Satan himself. Foster then decides to resign and to become an honest man again.

Dr. James Xavier. A world renowned scientist, uses special eye drops to give　　himself x-ray vision, but the new power has disastrous consequences.

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.