主演的影片
Anna
Audie
Brancusi
Fiamora
Gratiela
Konstantin
Marc
Melikhov
Nur
Rick
Rissmann
Stephanie
乔丹·沃克·罗斯
伊莎贝尔·梅
佩蒂·布林德利
克里斯·华纳
克里斯蒂安·科里
埃里克·尼尔森
妮可·加利西亚
山姆·艾里奥特
拉莫尼卡·加勒特
格雷厄姆·格林
比利·鲍伯·松顿
汤姆·汉克斯
罗布·梅洛
菲丝·希尔
蒂姆·麦格罗
詹姆斯·兰德里·赫伯特
诺厄·勒·赫罗斯
道恩·奥利弗瑞
阿曼达·亚罗斯
马丁·桑斯梅耶
美剧黄石的前传衍生剧,讲述了: Dutton一家在多年前西进的旅程,他们穿越大平原前往美国最后一站蛮荒之地,在应许之地蒙大拿寻求更美好的未来。艾里奥特饰演强硬的牛仔Shea Brennan,有着非常悲伤的过去,他承担着带领一群人从德克萨斯前往蒙大拿的艰巨任务,绝不容忍蠢人。麦格罗和希尔饰演Du tton家族的男女家长James和Margaret
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HD
Alexandra
Anastasiya
Andrey
Cherkasova-Sluzhitel
Domashenko
Gleb
Gribova
Kalyuzhnyy
Konstantin
Lipovskiy
Marusin
Nesterko
Nikita
Sergey
Skugina
Stebunova
Ulyana
Valeriya
Vatulin-Tarasenko
Veronika
Volodko
Yekaterina
伊戈尔·赫里普诺夫
奥尔加·罗蒙诺索娃
迪琳·
阿丽娜·巴巴克
阿列克谢·罗津
克尤莎几乎不记得她的父亲:他在她还小的时候失踪了。10年后的今天,他冰冷的尸体在山中被发现。令人难以置信的是,尽管他处于昏迷状态,但他仍显示出生命迹象。在这种状态下,他被带回家。克尤莎的母亲很久以前再婚了,前主人的回归破坏了家庭的平静生活:房子里开始发生令人费解的可怕事情,带来致命的威胁,克尤莎的母亲的行为越来越奇怪…… 女孩开始怀疑,和她父亲一起,某种超自然的、冰冷的、无生命的东西来到了他们家。现在克尤莎和她的继父必须保护这个家庭不受恶魔的伤害。
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Parajanov's diploma film for the VGIK, based on the Moldavian fairy tale by Emilian Bukov. A young shepherd is given a magical instrument from a giant.
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Aleksic
Anja
Belobrkovic
Dimic
Djokic
Djordjevic
Doslo
Grujicic
Ilin
Jelena
Jovan
Katarina
Konstantin
Manja
Milica
Slaven
Stefan
Trifunovic
亚历山大·格里戈利克
奥尔加·奥达诺维奇
尼古拉·拉科切维奇
杜布拉夫卡·科夫贾尼奇
约瓦娜·嘉夫里洛维奇
纳达·萨金
1993年的贝尔格莱德。由于国家前途未卜、社会一切都未稳定,人们在心底默默压抑着紧绷的焦虑情绪。在一场给小女儿举办、邀请了她同班孩子参加的生日聚会上,这种情绪得到了释放。当孩子们装扮成动漫《忍者神龟》里的人物,在客厅嬉笑打闹,他们的父母则在厨房讨论政治、调情、抽烟、喝酒。
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Bugaev
Evgeniy
Konstantin
Mikhail
Safronov
Sevastian
Topolaga
Tsyganov
叶莲娜·利亚多娃
安娜·乌克洛娃
弗拉季米尔·弗多维琴科夫
罗扎·哈伊鲁林娜
在儿子离奇失踪四年后,一对夫妇决定收养一名小男孩,这名小男孩刚从一间因火灾而烧毁的孤儿院中幸存。随着男孩渐长,越发神似他们失去的儿子,个性也变得诡异与暴戾,甚至开始攻击同龄小孩。尽管母亲认为这名男孩就是他们失去的儿子,但父亲深信儿子早已死去。 母亲再度怀孕,兴奋地准备迎接新生儿,被领养的男孩感觉自己遭受冷落,便开始攻击尚未出世的孩子。另方面,父亲意外发现原来当初让孤儿院深陷危机的人就是这名男孩。 ...
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艾利克斯(安纳托利·鲁达科夫 Anatoli Rudakov 饰)是一位有着远大理想,智商极高的程序员,他告别了家乡,只身一人来到莫斯科,希望在这里能够打拼出一片属于自己的天地。一次偶然中,艾利克斯加入了一个名为“致命螺旋”的神秘俱乐部中,在这里,知道赢的比赛,就可以获得高额的奖金。 艾利克斯很快就被金钱的魅力所折服,在接连赢下了好几场比赛之后,他不仅得到了声誉,还收获了梦中情人的爱。就在艾利克斯觉得自己的人生到达巅峰之时,他突然被指控参与了银行的抢劫行动,遭到了警方的通缉,身边没有一个人相信他是无辜的。无奈之下,艾利克斯只得为自己而战,试图自证清白。
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Andreas
Konstantin
Ortner
Rommelfangen
Timo
Wagner
丽芙·丽莎·弗赖斯
斯坦奇·艾塞克
特里斯坦·皮特
玛格丽特·提塞尔
珍妮·沃纳
穆拉桑·木苏鲁
马克·林帕赫
马克斯·冯·德·格罗本
马提亚斯·施维赫夫
Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions What is truth What is heroism in the time of war And all the while he fails to see the mounting danger before him.
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Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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